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A British blues-rock band of the late '60s that, despite being very good, would normally be relegated to footnote status if it were not for the fact that the lead guitarist of this trio was the soon-to-be-famous Dave Edmunds. Like many similar bands of the times, Love Sculpture was really a showpiece for Edmunds' guitar-playing talents (which on the first LP are considerable), and little else. The covers are well-chosen, slightly revved-up, but mostly reverent versions of blues classics. They had a fluke hit in 1968 with a cover of the classical piece "Sabre Dance," rearranged for guitar. After two LPs, Love Sculpture split up in 1970. Edmunds went on to solo success ("I Hear You Knockin'") and a long, sometimes contentious relationship with ex-Brinsley Schwarz bassist Nick Lowe, which culminated in the great band Rockpile. Still, Love Sculpture, though slightly dated, is a hoot to listen. And Edmunds, full of youthful bravado and dazzling technique, certainly knows his way up and down a fret board.

Forms & Feelings essentially replicates the high-voltage attack of Blues Helping, only with a notable lack of energy and an eye on the charts. It's no coincidence that the group chose to revamp L'Arlésienne's "Farandole," given that "Sabre Dance" was the only thing that distinguished Love Sculpture from the legions of British blues bands. But this time around, "Farandole" and all of Forms & Feelings sounded tired and redundant, with only a fraction of the passion that made the debut worthwhile. AMG.

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