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From Home to Home is quite similar to the albums this group had put out in the late '60s as the Kaleidoscope (the British Kaleidoscope, not to be confused with the American band of the same name). In fact, it's similar enough to the Kaleidoscope records to make one wonder why they bothered to change their name. Perhaps there is more polish and sophistication in the production, and a slightly heavier rock sound. But the focus is still gentle, story-like songs with debts to both late-'60s Pink Floyd and late-'60s Beatles, though the songs are not nearly as memorable as the work by those bands, and there is not nearly as much balance between chipper and somber material as the Beatles and Pink Floyd mustered. (Fairfield Parlour are heavily tilted toward the cheery tunes.) Tasteful early synthesizer is heard from time to time, and the debts to 1969 Beatles are heard in the Leslie amplification effects, though there are acoustic folk-psych passages with flute, too. The album has been reissued as half of the double-CD compilation The Fairfield Parlour Years, in conjunction with Fairfield Parlour's other 1970s album, the concept album White Faced Lady, which was not released until the 1990s. The disc on that set that contains From Home to Home adds bonus tracks from non-LP releases, along with the single they did under the name I Luv Wight, the previously unreleased movie theme "Eyewitness," and a far more recent re-recording of one song from From Home to Home, "Aries." AMG.

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